You can check out my masterpost playlist here on Spotify.
So, over the summer, I've been listening to a hundred and one new artists and albums due to all the free time I've had on trains and in the back of cars and such like, so I thought they could do with some reviewing and recommending for when we go back to school in a few weeks. I've thrown in a few of my favourites so you can have a listen while reading a bit about each artist.
1. The Japanese House
There's some very vague relationship between this artist and The 1975 somewhere along the line because I think that's how I discovered her but, don't be fooled, their sounds are nothing alike. The main thing they may share is their touch of electronic mixes on vocals and their love of keyboards that they put in their tracks. She adds a light electronic sound to her songs which makes her debut LP, Pools to Bathe In, really easy to listen to. Her soft pink vinyl that she released earlier in the year (which I missed and got a white one instead) sounds incredible when played on a Crosley as it creates a soft edgy sound on top of the electronic undertones you wouldn't expect to come from an LP. I look forward to her gig in Manchester which I'm about to book tickets to, as it will for sure be a calmer atmosphere with loads of swaying and gentle nodding, rather than a heavy mosh pit where I fear for my life and my left arm.
2. Gengahr
The best way I can describe this band is if alt-J invested in another couple of microphones and another drum kit. They have similar vocals, yanno that high pitched, whiney sound we've all grown to love, and they have a similar love for they keys like their more famous counterpart - but something about A Dream Outside goes a bit harder. To me, they come from that middle ground that Swim Deep had captured on their first album, but seem to have "swam" too far away from in their new releases. Like The Japanese House, they're quite easy listening and are good for when you're in the bath or getting dressed at 7:30 during the summer hols when your ears are still a little bit sensitive.
3. Jamie xx
After recommendation from a few friends and a really attractive piece of album artwork, I saved In Colour to my Spotify account. There's something reminiscent of the rave scene from the nineties in his music - especially in All Under One Roof Raving, a direct nod to the past and my personal favourite Jamie xx song - and his sound is an ideal mix of house music for people who don't enjoy a mad night out on uppers going on till 4am. It features something that's a bit faster than some other electronic house music in Gosh, and you can almost imagine how he wandered around ripping sounds from old nineties dance records. There are sound effects that's just above that classic horn sound that sometimes rears it's bloody annoying head in dance/house/garage music made in the modern day. Jamie xx is a great artist for people looking for something with an upbeat tempo to wake you up at 11:00, a smidge of something from the old acid/rave scene, but is just downbeat enough for you to listen to on the bus.
4. Drag Me Down by One Direction
I am undeniably biased when it comes to One Direction and, to be totally honest, it doesn't bother me at all. From this track, I think, comes something with more rock influences which allows them all individually and collectively to boast their vocals at their best. What I like most about this record, and the new sound from the fifth album that this song allows us to see, is that there's a heavier more grown up beat that shows how the group has grown since the dulcet tones of Kiss You from their Take Me Home album back in 2012. Three years later, we are presented with something distinctly more grown up that reflects a conglomeration of their musical tastes from their own record collections. Also, six seconds into the video, finger-pinching-emoji.
5. What Went Down
I don't know what else I really expected from this new record as it's filled to the brim with that original Foals sound that fans love. There's the classic build up in most of the songs on their fourth album which has made for good listening when I was driving to Manchester on Wednesday which is quite a long drive. Personally I love a good Foals song that has a huge build up, but it's nice to hear another unhurried, easy sound on tracks like London Thunder where there's a nod to songs like Miami and Out Of The Woods where the band exercises their ability to produce an equally good song at a slower pace. I am so excited to travel to Bristol to go to this gig with my friends, but I do fear for my eardrums a little bit.
6. Get To Heaven
When I tried to download Arc a few years ago I had many difficulties with YouTube converters and such like, so I feel like I missed an album from Everything Everything, but what a way to come back. This album marks the start of their more widespread success after two previous albums which didn't take off as much as this one has, but it's full of great, great songs which deserve their place in the album charts. The early releases of Distant Past and Regret were a good heads up to the more commercial style that they've explored, and ran with, but made their own in their very distinctive way. Of course it wouldn't be an Everything Everything album without a book full of weird lyrics about babies in prams and pharaohs and heaters, but it goes well with the artwork which is an amalgamation of bright colours and abstract drawings. Like any good album, the tracklist goes up and down and up and down again (no one does this as well as One Direction I should mention, which you can read about here) but the good mix of moods featured on the record shows the versatility of one of my favourite bands around at the moment.
7. How Deep Is Your Love, House Every Weekend, and Omen
I am very partial to a good slice of house music and/or garage or whatever kind of music they play at clubs. I'm not, however, a huge fan of the fact that the charts are dominated by one off tracks that are from artists who have conformed to the demands of the market to achieve commercial success, but that's text for another post. I have had these three songs on repeat when trying to get some reading done before I start university in about three weeks because nothing really rivals house or acid music to get things done - which i learnt during study leave. I'm an old Calvin Harris fan, but started to lose touch with him after Bounce was released, although I feel like a bit of an ex girlfriend stalking him on Facebook as I see his chart success. House Every Weekend is a painful reminder of a drunken kiss in a crap club in Colchester, but it's such a good song I continue to play it - even around my family. After watching Disclosure's set at Glastonbury last year I was even more excited about the release of their second album (if that was even possible) because I love the individual stamp they press on each of their records with that clapping back beat. The release of Omen featuring Sam Smith with whom they had huge success with last time, just revived the excitement I had last year for their new album.
8. Circa Waves
I've been listening to Circa Waves for months now since Young Chasers came out earlier in the year. Some pals and I also went to go and see them in London in April and it was a dynamite gig - I got whiplash, Marie got crushed, Tori got lost, and Millie got epilepsy, so all in all it was a great show. I've been listening to this album for months and watched all their sets at festivals through iPlayer and other platforms because they put on a wicked live show - all the confetti when they play Tshirt Weather and blare "it's gonna be okay" is a real 'click' moment where you just know you'll remember what you saw, what you were wearing, who you were with and how you felt for ages to come after that moment. As my time at college and generally being at home for school came to a close, I always thought I'd be itching to move on and just keep in contact with people anyway; but it's knowing you're not going to be seeing them everyday, or even every week, after living in their pockets for two years which makes the whole thing a bit bittersweet. We're all excited to start university and start this new chapter in our lives, but it's really quite sad that these chapters are being written in different counties all over the UK. I now know how Troy and Gabriella felt when they were splitting up for university/college. But this album, for me, wil always hold the nostalgia for my time at college with these people specifically as it's just good indie music - I think Best Years explores this well. For years I've been a fan of indie music starting with Two Door Cinema Club and The Wombats and Bombay Bicycle Club and all them, but as I've grown up my tastes have changed, and Circa Waves are a good reminder of my time growing up as they provide solid indie music which I know I'll always go back to.
(this is Best Years one of my favourites)
ALSO it would pretty much be a crime if I didn't include their insane cover of Ellie Goulding which they did in the BBC Radio One live lounge which is probably one of the best ever live lounges' that has ever been performed to be honest - me and my friends obsess over it.
9. Girls Your Age by Transviolet
The opening of this single is a bit like the creepier version of The Japanese House's music without the electronic twist. I actually discovered this song after Harry Styles tweeted some of the lyrics and a quick Google search led me to the YouTube clip. It was a bit weird to see the views soar from about 600 into the tens of thousands the next day - I'm always surprised to see the power that this band has and it never ceases to amaze me what we've done in the last five and bit years. But anyway, this song sounds a bit like something I imagine Lana Del Rey would produce after she had a really heavy dinner - maybe something stodgy like bangers and mash. I like a bit of haunting music every now and then, especially something like The XX, so after having not heard some "dream pop" (I think that's what it's called) for a while, this song was refreshing to my ears. Going from something upbeat on a good day, to something more gloomy like this record on a worse day, is a good reflection of how music is so versatile and how I have no idea how people live without it or say they "don't really listen to music". Who are you??????
10. Suede
I'm not hugely knowledgeable about Suede or where they come from or whatever, but I am always down for some good old eighties/nineties music. I only just got into this band after recently getting in touch with an old friend and am currently only enjoying a remastered record I found on Spotify; but it's promising. I think if Morrissey was ever happy or owned an electric guitar, The Smiths might have a made a record a bit like this. (I don't mean it Moz, honest) There's hints of something Bowie-infused in the vocals and it's clear to see where they drew their musical influences from after listening to just a couple of songs. If you're a fan of eighties music but don't feel like grating your face off in misery to The Smiths, and want something more upbeat than Just Like Honey, or need something a bit more rock n roll in order to get your room cleaned, or are home alone air guitaring in your underwear after a shower - then this is the artist for you.